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Carolyn Marie Souaid

Carolyn Marie Souaid was born in 1959 and raised in Montreal, Quebec. She earned a teaching degree at McGill Univeristy and in 1995 an M.A. in English from Concordia University. Her thesis, Hollow Grass, is a collection of poetry about motherhood in the context of adoption. Souaid has taught at the elementary and university levels, taught high school English to adult students, and has worked as a freelance journalist and magazine columnist. Her ancestral heritage is Lebanese.  In 2009 Souaid was one of the founding editors of Poetry Quebec, an online review showcasing English-language poetry and poets of Quebec.

Blood is Blood book cover


Blood is Blood

Co-author: Endre Farkas.
Winnipeg: Signature Editions, 2010.
PS8561 .A72 B56 2010

Accompanied by a 15-minute video-poem on DVD.

Publisher’s Synopsis

Blood is Blood is a powerful encounter between two poets, from diametrically opposed backgrounds, whose cultural and personal lives intersect, clash and confront the truths and fictions that have become the destructive reality of Jews and Arabs trying to co-exist.  Although set in the troubled Middle East, its narrative speaks to tribal wars that have wreaked havoc around the globe: in Ireland, in the former Yugoslavia, in Russia, in Zimbabwe, and elsewhere.  Endre Farkas, the child of Jewish Holocaust survivors, and Carolyn Marie Souaid, of Lebanese Christian descent, give this piece a special resonance.

Awards and Honours

2011? ZEBRA International Poetry Film Festival, “Best Film for Tolerance” (Winner)



Winnipeg, Man.: Nuage Editions, 1999.
PS8587 .O87 O38 1999

Includes some text in French. Reprinted by Signature Editions with a new cover image.

Publisher’s Synopsis (from the Signature Editions website)

October spans three decades of Quebec life, chronicling one woman’s attempt to forge some kind of reconciliation between the “warring” cultures, to find the common ground of the French and the English. It is a personal, unabashed look at her own marriage to a French Quebecer which finds her straddling two worlds, two cultures, two very different mentalities. From start to end, echoes of the October Crisis are carefully woven into the text, a constant reminder that the fractious past is never very far behind.

Awards and Honours

1999 or 2000 A.M. Klein Prize for Poetry (Quebec Writers’ Federation)(Nominated)


Paper Oranges

Winnipeg, Man.: Signature Editions, 2008.
PS8587 .O87 P36 2008

Publisher’s synopsis (From its website)

Paper Oranges is a poetic response to Vladimir and Estragon, Beckett’s infamous pair, who pin their hopes on salvation that never arrives. It explores the notion of human existence as an extended wait characterized by quiet desperation, loneliness, suffering and the search for self. …
Using the metaphor of flight, these evocative poems examine how habit and daily routine, societal convention and moral obligation trap us in the emotional death of repetitive cycles. Perhaps the only truth in this random universe lies in the present moment. …


Satie’s Sad Piano: A Long Poem

Winnipeg, Man.: Signature Editions, 2005.
PS8587 .O87 S28 2005

Publisher’s Synopsis (from its website)

Satie’s Sad Piano is a long poem charting the convergent deaths of Pierre Elliott Trudeau, a love affair, and a fetus through the intersecting voices of an unlikely cast of characters—among them Radio, Mont-Royal, a series of old love letters, and a modern-day apostle.

Awards and Honours

2006 A.M. Klein Poetry Award (Quebec Writers’ Federation) (Shortlisted)
2006 Pat Lowther Award (Shortlisted)
2005 or 2006  Mary Scorer Award for the Best Book by a Manitoba Publisher (Manitoba Book Awards)(Shortlisted)


Snow Formations

Winnipeg, Man.: Signature Editions, 2002.

Publisher’s Synopsis (from its website)

Weary of her humdrum existence, a woman packs up and heads for Arctic Quebec, where she hopes to find a new lease on life teaching native children. She quickly discovers, however, that the Inuit have far more to teach her than she, them, as she slowly learns that each day on this earth is a rich sensory experience, not merely to be lived, but savoured. Loosely based on the author’s own three-year experience in settlements along the Hudson-Ungava coast, Snow Formations takes a realistic look at the modern Inuit world through post-industrial eyes, always walking the fine line between idealism and cynicism, hope and despair.

Awards and Honours

2003 A.M. Klein Prize for Poetry (Quebec Writers’ Federation)(Shortlisted)


Swimming Into the Light

Montreal: Nuage Editions, 1995.
PS8587 .O87 S95 1995

Publisher’s Synopsis (from the Signature Editions website)

Swimming into the Light is a sequence of poems charting a woman’s struggle with infertility and her entry into motherhood through the back door of international adoption. The book traces these events in a connected narrative, from her frustration and despair over infertility to the uncertainty of international adoption and rescuing a new life from a war-torn country, and finally to the quiet reflections on motherhood.

Awards and Honours

1995 or 1996 A.M. Klein Prize for Poetry (Quebec Writers’ Federation) (Nominated)

This World We Invented book cover


This World We Invented

London, ON: Brick Books, 2015.
PS8587 .O87 T47 2015

Publisher’s Synopsis (from its website)

The world in Carolyn Marie Souaid’s latest collection is both an act of the imagination and a responsibility. Souaid’s poems zoom in and out, shifting focus to accommodate varied dimensions of experience. We move from the breakdown of a relationship to primordial ooze to a suicide bomb to a son doing his math homework. In a disarmingly personable voice, Souaid investigates our darker moments, faces up to losses and failures both intimate and public, often with wry humour. If our world is an imperfect invention, it is also, for Souaid, a source of wonder— where “the trick was not to fall asleep but to notice everything / in its brevity.”


Yasmeen Hadad Loves Joanisi Maqaittik

Montreal: Baraka Books, 2017.
PS8587 .O87 Y37 2017

Publisher’s Synopsis (from  its website)

Yasmeen’s tradition-bound mother wants her to stay in Montreal, get married, and have babies. But the young Syrian-Canadian wants more. Her appetite for adventure leads her to a teaching job in the northern Quebec village of Saqijuvik. Eager to adopt her new home and its Inuit inhabitants, Yasmeen embraces every experience that comes her way: camping on the tundra, hunting for ptarmigan, sewing with the local women. She plunges into her northern adventure, no holds barred.

But it’s 1983 and instead of the ideal, pristine Arctic Yasmeen imagined, she uncovers a contradictory world of igloos and pool halls, Sedna and Jesus, raw caribou and alcohol. In the middle of everything is Joanasi, a beautiful but volatile man who leads her into territory that is almost as unsettling as the land itself.

Closer to Home book cover


Closer to Home: The Author and the Author Portrait

TR681 .A85 B97 2008

Byrnes, Terence. “Carolyn Marie Souaid in the Courtyard of a Pub.” In Byrnes, Terence. Closer to Home: The Author and the Author Portrait. Montréal: Véhicule Press, 2008, 48-49.

Selected Criticism and Interpretation

Souaid, Carolyn Marie. “Carolyn Marie Souaid.” Interview with Poetry Quebec, reprinted. Language Matters: Interviews with 22 Quebec Poets. Ed. by Carolyn Marie Souaid & Endre Farkas. Winnipeg: Signature Editions, 2013, 181-190.
PS8295.5 .Q8 L35 2013


Publisher Baraka Books

Publisher Brick Books

Publisher Signature Editions ; includes excerpts from the works

Website for Blood is Blood