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Betty Quan

Playwright Betty Quan writes for the stage, radio and television. She is a graduate of the University of British Columbia.
Two of her plays are available in copyscript format from Playwrights Canada Press: Nancy Chew Enters the Dragon, and, The Dragon’s Pearl. Other plays that have been produced include Fault Lines, and Ghost Train, that was adapted from the award winning book by Paul Yee and illustrated by Harvey Chan. Quan lives in Toronto.


Mother Tongue

Montreal: Scirocco Drama, 1996.
PS8583 .U332 M68 1996

Publisher’s Synopsis

Mother Tongue is a unique and innovative play that weaves together Cantonese, English and American Sign Language. It is about family loyalties, youthful dreams, and generational and cultural differences.
Set in Vancouver, [it] follows the life of a widowed middle-aged mother and her two children, Mimi, an aspiring architecture student, and 16-year-old Steve who lost his hearing at age 11.

Awards and Honours

1996 Governor General’s Literary Award–English Drama (Nominated)


“Mother Tongue.” In Love + Relasianships: A Collection of Contemporary Asian-Canadian Drama. Volume 1, ed. Nina Lee Aquino. Toronto: Playwrights Canada Press, 2009, 163-189.
PS8309 .A75 L68 2009

Other Information

Mother Tongue was co-produced by Factory Theatre and Cahoots Theatre Projects in Toronto, May 5-June 3, 2001, at the Factory Theatre.



Toronto: Playwrights Guild of Canada, 2013, c2009.
PS8568 .U34 W57 2013

A play for a juvenile audience (grades 2 to 7).  This work deals with the topic of cyber bullying.

Fiction (Juvenile, Picture book)

Grandmother’s Visit

Pictures by Carmen Mok.
Toronto: Groundwood Books, 2018.

Publisher’s Synopsis (from its website)

Grandmother lives with Grace’s family. She teaches her how to measure water for rice. She tells her stories about growing up in China and together they savor the flavors of her childhood. Grandmother says goodbye when she drops Grace off at school every morning and hello when she picks her up at the end of the day.

Then, Grandmother stops walking Grace to and from school, and the door to her room stays closed. Father comes home early to make dinner, but the rice bowls stay full. One day, Grandmother’s room is empty. And one day, Grandmother is buried. After the funeral, Grace’s mom turns on all the outside lights so that Grandmother’s spirit can find its way home for one final goodbye.

Awards and Honours

2018 The Globe 100 (Globe and Mail, 1 Dec. 2018)
2019 IODE Jean Throop Book Award (Finalist)

Non-fiction (Comic book)


Art by Michael Dixon.
Toronto: McClelland and Stewart, 1998.

This is a comic book account of the Chinese labourers who helped to build the Canadian Pacific Railroad in the late 19th century.

Anthologies (Drama)

Beyond the Pale: Dramatic Writing From First Nations Writers & Writers of Colour

Edited by Yvette Nolan, Betty Quan, George Bwanika Seremba.
Toronto: Playwrights Canada Press, 1996.

Includes Betty Quan’s “One Ocean

Anthologies (Drama)

Taking the Stage: Selections from Plays by Canadian Women

Edited by Cyndi Zimmerman.
Toronto: Playwrights Canada Press, 1994.
PS8315 .T35 1994

Includes an excerpt from Scene III of Betty Quan’s “Nancy Chew Enters the Dragon.”

Selected Criticism and Interpretation

Rodgers, Jenna. “Manipulating Theatrical Space to Create Physical Space: Betty Quan’s Mother Tongue Reclaiming Space for the Indiviual.” In Asian Canadian Theatre, ed. Nina Lee Aquino and Ric Knowles. Toronto: Playwrights Canada Press, 2011, 171-182.
PS8089.5 .A8 A835 2011

Ty, Eleanor, “”All of Us Are the Same”: Negotiating Loss, Witnessing Disability,” chap. in Unfastened: Globality and Asian North American Narratives. Minneapolis: University of Minnesota Press, 2010, 43-62.
PS153 .A84 T9 2010 (also available as an e-book)


Member profile from the Playwrights Guild of Canada website

Publisher House of Anansi Press (publisher of Groundwood Books)

Publisher Tundra Books, an imprint of Penguin Random House Canada