Jiv Parasram is an Indo-Caribbean multidisciplinary artist from Dartmouth (Halifax) Nova Scotia. Parasram studied at the University of Toronto where he earned an HBA in Theatre and International Relations. He began graduate studies in the Communication and Culture program run jointly by York and Ryerson Universities. Parasram served as the associate artistic director at Theatre Passe Muraille in Toronto, and was the co-founder and artistic director of Pandemic Theatre, a socio-political theatre collective in Toronto. In 2018 he took on the position of artistic director of Rumble Theatre in Vancouver.
Take d Milk, Nah?
Toronto: Playwrights Canada Pres, 2021.
Publisher’s Synopsis (From its website)
Jiv is “Canadian. ” And “Indian. ” And “Hindu. ” And “West Indian. ” “Trinidadian,” too. Or maybe he’s just colonized. He’s not the “white boy” he was teased as within his immigrant household. Especially since his Nova Scotian neighbours seemed to think he was Black. Except for the Black people—they were pretty sure he wasn’t. He’s not an Arab, and allegedly not a Muslim—at least that’s what he started claiming after 9/11. Whatever he is, the public education system was able to offer him the chance to learn about his culture from a coffee table book on “Eastern Mythology. ” And then he had a religious epiphany while delivering a calf in Trinidad. By now, Jiv’s collected a lot of observations about trying to find your place in your world.
In this funny, fresh, and skeptical take on the identity play, Jivesh Parasram blends personal storytelling and ritual to offer the Hin-dos and Hin-don’ts within the intersections of all of his highly hyphenated cultures. This story asks the gut-punching questions: What divides us? Who is served by the constructs of cultural identity? And what are we willing to accept in the desire to belong? Then again—it doesn’t really matter, because we are all Jiv.
Awards and Honours
2021 Governor General’s Literary Award, Drama, English language (Finalist)
Long Story Short
Parasram, Jivesh. “The Only Good Indian.” In Long Story Short: An Anthology of (Mostly) 10-minute Plays, edited by Rebecca Burton, 185-196. Toronto: Playwrights Canada Pres, 2016.
PS8309 .O5 L66 2016