Marjorie Chan

Marjorie Chan is a Toronto-based actor, playwright and librettist. She is a graduate of the Actor Conservatory at George Brown Theatre School in Toronto. In addition to performing on the stage, Chan has written and voiced radio dramas. From February 2006-2009 Chan was the Associate Artistic Director and Writer-in-residence of Cahoots Theatre Company.

Drama

China Doll

Winnipeg, Man.: Scirocco Drama, 2004.
PS8605 .H355 C45 2004

Publisher’s Synopsis

Su-Ling, an open-minded and intelligent young woman in Shanghai, has her feet bound by her grandmother, Poa-Poa. Despite the pain and the crippling effects, custom decrees that the smaller and daintier the foot, the more marriageable the woman. … Poa-Poa has high hopes that her granddaughter will marry well and bring prosperity to them both. Then Su-Ling meets the merchant Li, who enlarges her world by teaching her to read. As Su-Ling grows into womanhood, she makes choices that lead her toward independence, and which have consequences for everyone in her world.

Awards and Honours

2005 Governor General’s Literary Award–Drama–English (Nominated)

Also:

“China Doll.” In Love + Relasianships: A Collection of Contemporary Asian-Canadian Drama. Volume 2, ed. Nina Lee Aquino. Toronto: Playwrights Canada Press, 2009, 129-196.
PS8309 .A75 L68 2009

Drama

A Nanking Winter

Toronto: Playwrights Canada Press, 2009.
PS8605 .H355 N36 2009

Publisher’s Synopsis (from its website)

Irene Wu has dedicated years of her life to researching the invasion of Nanking, China. Through the winter of 1937, the Japanese Imperial Army led a horrific campaign through the streets of China’s capital, an event that has been left unknown and untold to the world. Irene is on the brink of releasing her research when her publisher voices doubts about the book.

Anthologies (Drama)

“Spring Arrival”

In Where is Here? The Drama of Immigration. Volume 2, ed. Damiano Pietropaolo. Winnipeg: Scirocco Drama, 2005.
PS8309 .I49 W49 2005

Publisher’s Synopsis (from its website)

[The play] returns a sick woman to the cultural misunderstandings of her first day in Toronto from Hong Kong to cheer up her daughter and patients in the hospital ward.

Selected Criticism and Interpretation

Scott, Shelley. “Nightwood Theatre, Asian Canadian Women, and China Doll: the Ties That Bind.” In Asian Canadian Theatre, ed. Nina Lee Aquino and Ric Knowles. Toronto: Playwrights Canada Press, 2011, 148-157.
PS8089.5 .A8 A835 2011