First Edition Photobook Award, 2018 Award Winners

The Photography Studies program at Ryerson University together with Ryerson University Library & Archives is pleased to announce the 2018 recipients of the First Edition Photobook Award:

Book Award Recipients

After Grapefruit, Clea Christakos-Gee
Untitled, Raelene Griffin
In Nocte, Rafaela Conde
In the Water, Lisa McElroy
9869518588, Heather Rattray
Home and Glory, Kalen Huxhan
It’s Good Once You Get There, Hayley Wilsdon

Honourable mentions:

Surface Study, Shaw Quan
Less than 5%, Taya Hampartzoomian
In and of Itself, Lauren Armstrong
Come over sometimes and Other Messages Received and Sent, Leyla Godfrey

After Grapefruit, by Clea Christakos-Gee.

Untitled, by Raelene Griffin.

In Nocte, by Rafaele Conde.

Into the Water, by Lisa McElroy

9869518588, by Heather Rattray 

Home and Glory, by Kalen Huxhan.

It’s Good Once You Get There, by Hayley Wilsdon.

About the Award

As part of MPS507, a 3rd year Ryerson University Image Arts class in The Photographic Book, students conceive of, and create their own photobook. This is, in part, related to work that has been completed in the co-requisite class, MPS506 – Photographic Production. These are both required courses for the Bachelor of Fine Arts (Image Arts) Photography Studies Option. Each year, the Library purchases the top photobooks in the class from the creator, as judged by the Special Collections Librarian, Alison Skyrme, and a special invited guest panel (this year Professor Don Snyder, Instructor and Artist Robyn Cumming, and Assistant Professor Dr. Karla McManus). The books are judged at the First Edition Photobook Show – an exhibition of the photobooks at the end of the semester. For evaluation, particular attention is paid to design, sequencing, and integration of images and text. The library catalogues each book, and houses them in the Special Collections department, where they will be available for students and researchers. An exhibition will be held in November to highlight the 2018 winners.

History

The First Edition Photobook Award was established in 2015 by Image Arts instructor Christopher Manson and the Ryerson Library to honour 3rd-year photography students who have made exceptional achievements in photobook production. It provides an incentive for students to achieve the early recognition that will have a lasting legacy in the Library collection.

Previous Award Recipients

The following 2017 award winners were presented with a certificate during the Image Arts Awards Night, November 2017: Adrian Walton-Cordeiro, Ailene Devries, Fehn Foss, Julia Garnet, Feline Gerhardt, Warren Rynkun.

For more information contact: Christopher Manson or Alison Skyrme.

2018 Panel

This year we were fortunate to have a judges panel that included Professor Don Snyder, Instructor Robyn Cumming, and Dr. Karla McManus.

Robyn Cumming is a Toronto-based artist and educator. Prior to Ryerson she taught at OCADU and in the Art and Art History Program at U of T/Sheridan. Her current work focuses on representation and accumulation with a recent emphasis on historical images gleaned from Ebay. Robyn was long listed for the 2014 Aimia Photography Prize and is represented by Erin Stump Projects in Toronto. She has a BFA (Honours) from Ryerson University and an MFA from York University.

Karla McManus is an art historian who specializes in the study of photography and the environmental imaginary. Her writing and research focuses on how historic and contemporary concerns, from wildlife conservation, to environmental disasters, to anxiety about the future, are visualized photographically. She received her PhD from Concordia University in 2015 and was a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellow in Art History and Art Conservation at Queen’s University from 2015-2017.

Don Snyder has an extensive background in photographic history and curation. Before joining the Ryerson faculty, he held an appointment as Curator of Photography at the Addison Gallery of American Art, where he originated the museum’s photography exhibition program. At Ryerson, he established the Image Arts (IMA) Gallery at 80 Spadina Avenue, and was instrumental in the founding of Function, the School’s annual publication of student work, essays and interviews. He has taught in the York-Ryerson Communication and Culture program, and in Ryerson’s graduate programs in Photographic Preservation and Collections Management as well as the Documentary Media MFA program. Particular interests are critical directions in photography and documentary practice during the past decade.

2017 Year in Review: Films in the Collection

Happy 2018!

As we begin a new year and semester at Ryerson, I would like to share highlights from the collections by looking at films I inspected in 2017. I started working at Archives & Special Collections in July 2017 as an Audiovisual Assistant with the goal to survey their moving image assets for preservation and digitization initiatives. It has been an incredible experience digging through the vault, and I would like to share some of my discoveries by using the reference images I took while inspecting the films.

 

What’s an Expert? (1976).

 

The Archives have several promotional films that examine the history of Ryerson and the programs offered since the university’s inception. What’s an Expert explores the Secretarial Science program, which was available at Ryerson between 1952 and 1985.

 

 

 

Ryerson Is (1970).

 

 

Ryerson Is, another promotional title, presents brief vignettes on Ryerson’s  academic programs.

 

 

Nana Mouskouri in Belafonte at the O’Keefe (1965).

Opening title for the CBC special featuring Duke Ellington. The show was produced and directed by Sampson (1964).

 

 

 

 

 

 

 

 

 

I found several hidden gems as part of the Paddy Sampson Fonds in Special Collections. The films in this collection include raw and edited footage from musical television programs that Sampson produced for the CBC in the 1960s and 1970s. One of my favorites is Belafonte at the O’Keefe, a show featuring Harry Belafonte accompanied by the Greek singer Nana Mouskouri and the Folk-blues duo Sonny Terry and Brownie McGhee.

 

 

Shot from the Buffy Ste-Marie CBC Special (1980).

 

 

 

The collection also holds a Duke Ellington variety special with a beautiful animated introduction, as well as raw footage from a television program on Buffy Ste-Marie.

Kraft Miracle Whip advertisement from the Sampson films.

 

 

 

 

 

 

 

 

 

 

 

 

 

One of my favorite parts of the Sampson films is that we have kinescope copies (black and white film recordings of television broadcasts) since these reels include the advertisement breaks during the shows!

 

 

 

Ryerson Media Centre staff film (1972).

 

 

 

 

 

 

 

 

Recently, I have been looking into Ryerson’s past, and learning about the Ryerson Media Centre (now called the Digital Media Projects) through films they produced in the 1970s. An untitled reel featured media and radio staff members showing off their equipment and facilities.

 

 

 

Ryerson Media Centre staff film (1972).

Ryerson Media Centre staff film (1972).

 

The Film/Paper Story by the Eastman Kodak Company (1980).

 

 

 

The Kodak Canada Corporate Archive and Heritage Collection has several great instructional films, including one on the process of making photographic paper and film stocks.

Opening of a film by the Eastman Kodak Company (1980).

Ryerson Media Centre film on the construction of the new library resource centre (1971)

 

 

 

 

Our biggest milestone for 2017: A&SC moved into a new space on the 4th floor of the library!

Stop by to visit the reading room and learn more about films in the collection! We even have a 16 mm circulating film collection for  faculty and instructor use.

See you in the new year!

 

 

 

New Exhibition: Projecting Magic

Have you ever wondered what people watched at home and in theaters before Netflix and the invention of cinema? This exhibition hopes to demystify one aspect of pre-cinematic technology: magic lantern projectors. These early optical devices used oil or gas light sources to project glass slide images onto a screen. Some say magic lanterns are the precursors to Powerpoint presentations!

The first report of the construction of a magic lantern is generally considered to be referring to the Dutch scientist Christiaan Huygens in 1659. It was inspired by precedent optical inventions such as the camera obscura (which was a room containing a pinhole that a scene was projected through onto the opposite wall), and magic shadow shows which used puppets and hands to recount stories.

Lampascope Boule magic lantern, meant to be placed above an oil lamp.

By the eighteenth-century, the magic lantern was “openly displayed” for public events by traveling lanternists in public venues. Several showmen used the lanterns to produce horror shows, popularly known as “Phantasmagoria” shows. These presentations projected ghostly images onto smoke screens to create the effect of conjuring evil spirits.

Initially lanterns were illuminated by candlelight or oil lamps, but this did not produce enough light to project a clear image from afar. Lanternists began to use limestone in the early 1800s, as they could successfully be used for projection in large theaters. Limelight is produced through the combustion of hydrogen and oxygen directed at a piece of lime (calcium oxide). This method was quite complex and potentially hazardous, since at the time putting gas under pressure was achieved by sandwiching rubber bags filled with gas between two pieces of wood.

Magic lantern slides by the German manufacturer Ernest Plank, with the trademark initials E.P.

By the mid 1800s, a huge variety of magic lanterns became available to the professional and home market. On display in the exhibit, we have lanterns with varying functions, from a decorative circular lantern meant to be placed above an oil lamp at home, to a large biunial (or double lens) lantern that could be used in large halls for theatrical presentation or educational lectures.

Slides also varied in their typology, becoming more detailed and elaborate with each new iteration. Initially they were rectangular strips of glass with hand painted imagery and a mahogany wood border. When separate wooden slide carriers were developed, the wooden border attached to the wood slides themselves was removed from the design. Then, the illustrations featured on the glass portion went from being hand-painted to mechanically produced, and by the mid 1800s photographic slides came into production as well.

Astronomical mechanical slides were designed to specifically demonstrate movements of the solar system.

Magic lantern projection also demonstrates the aspiration to present not only static, but moving images to an audience. Lanternists would use panoramic slides, which when passed in front of the projector’s lens would create the illusion of movement. This quickly progressed into animated images which came about with creation of ingenious mechanical slides. This included rack-and-pinion slides where glass discs were rotated using a handle (and which were often astrologically themed), lever slides, or single pulley slides which used a rope pulley system.

Items on display are part of a recent donation of magic lantern projectors and slides from John Tysall. Stop by the Archives and Special Collections Department on the 4th floor of the Ryerson Library to see the new exhibit located in the display case by the 4th floor reading room doors. The exhibition is designed and curated by Jocelyn Oprzedek and Olivia Wong.

 

 

 

 

 

A Window in Time – 1899

What is that date on the window?

The Archives and Special Collections (A&SC) windows feature a series of seemingly random numbers worked into the window’s graphic pattern. The numbers are actually dates, chosen by ASC staff, that are significant to the City of Toronto, Ryerson University, and Archives and Special Collections. Over the course of the next year our blog will feature some of the window dates and explain their significance.

1899

2005.001.3.259. Canadian Kodak Co., Ltd. Headquarters (1899-1901), 41 Colborne Street, Toronto

In 1899, after successfully operating on the American market for over a decade, George Eastman dispatched Kodak employee John G. Palmer to Toronto to determine the viability of establishing a subsidiary in Canada. Palmer discovered a robust market for photographic products and, on November 8, 1899, Canadian Kodak Co., Limited was incorporated under the Ontario Company’s act. The nascent company established headquarters in downtown Toronto, embarking on a relationship with the city that would last more than a century and would constitute the heart of the company’s manufacturing operations in Canada.

For more information on Kodak Canada, please visit https://library.ryerson.ca/asc/2015/01/kodak-in-toronto-1899-2005-a-century-of-traces/

 

New Exhibition: Canada 150, Picturing the Canadian Landscape

Canada 150: Picturing the Canadian Landscape. Ryerson Library Archives and Special Collections

The plains of the prairies, the forests of the interior, and the seascapes of the Atlantic and the Pacific have served as muses for Canadian artists and writers for centuries.

In Canada 150: Picturing the Canadian Landscape, photographs and ephemera of the Lorne Shields Historical Photograph Collection at Ryerson University showcase the ways in which the natural landscape has been an essential part of the identity and history of Canada.

Incorporating extraordinary cameras from the Heritage Camera Collection and the Kodak Canada Corporate Archives and Heritage Collection, and rare books from Ryerson University’s Special Collections, this exhibition reflects on the photographic, recreational, and artistic responses to Canada’s natural landscape by artists, enthusiasts and writers throughout the years.

Drop by the Archives and Special Collections Department, on the  4th floor of the Ryerson Library, to see the exhibition, curated by Image Arts students Bowie Fan, Gabriele Tai, Georgia Love, Justine Marasigan, and Lodoe Laura.

The 2017 First Edition Book Award Winners

Winners of the 2017 First Edition Book Award

Award Recipients

Adrian Walton-Cordeiro – Contesse De Bertren
Ailene Devries – Two Cities and a River
Fehn Foss – Remembering, Faring
Julia Garnet – Elements
Feline Gerhardt – About Mankind and the Attempt to Increase Significance
Warren Rynkun – The Yard

Honourable Mentions

Grayson Alabiso-Cahil – We’re not the first, and we won’t be the last
Rena Balmain-Matthews – Poems
Jana Beaton – Wallpaper Floorboards
April Beatson – Skate
Rebecca Bentolila and Natasha Serio – Yours and Mine

About the Award

As part of MPS507, a 3rd year Ryerson University Image Arts class in The Photographic Book, students are expected to conceive of and create their own photobook. This is, in part, related to work that has been completed in the co-requisite class, MPS506 – Photographic Production. These are both required courses for the Bachelor of Fine Arts (Image Arts) Photography Studies Option. Each year, the Library purchases the top photobooks in the class, as judged by the Special Collections Librarian, Alison Skyrme, and a special invited guest (this year Robyn York of Anchorless Press). The library pays fair market value for each book, and commits to spending a maximum of $1000 per semester. The books are judged at the First Edition Photobook Show – an exhibition of the photobooks at the end of the semester. For evaluation, particular attention is paid to design, sequencing, and integration of images and text. The library catalogues each book, including a note about the award, and houses the books in Special Collections. Occasional exhibits are created to showcase the works.

History

The First Edition Photobook Award was established in 2015 by Image Arts instructor Christopher Manson and the Ryerson Library to honour 3rd year photography students who have made exceptional achievements in photobook production. It provides incentive for them to achieve early recognition that will have a lasting legacy in our collection.

Previous Award Recipients

The following 2016 award winners were presented with a certificate during the Image Arts Awards Night, November 19th, 2016: Andrea Chartrand, Kaya Kelley, Mina Markovic, Terence Reeves, Gabriel Steele, Alia Youssef.

2017 Award Winners

Warren Rynkun – The Yard (inside spread)

Fehn Foss – Remembering, Faring

 

 

Fehn Foss – Remembering, Faring

 

 

Julia Garnet – Elements

Ailene Devries – Two Cities and a River

Adrian Walton-Cordeiro: Contesse De Bertren

Feline Gerhardt – About Mankind and the Attempt to Increase Significance

Feline Gerhardt – About Mankind and the Attempt to Increase Significance (inside spread)

Guest Judge

Robyn York - Anchorless Press

Robyn York – Anchorless Press

Robyn York is a photographer and book artist whose work explores collecting, memory loss, and impermanence of place.She runs Anchorless Press, an independent publishing company that works with emerging artists to publish photo-based artists’ books, and has self-published and assisted in the design and production of over a dozen artists’ books and novels.

The New Archives and Special Collections Reading Room is Open for Business!

Now open to all students, staff, faculty!

The new Archives and Special Collections reading room is now open for business. We are now located on the 4th floor of the Library in LIB 404, adjacent to the new quiet study and teaching room, LIB405. The Archives and Special Collections reading room is open from Monday – Friday form 9-5.
Artifacts and exhibits are still being installed, but we are open for visitors and researchers. Here are a few photographs of our new digs.

New Quiet Study Area:

A large quiet study area, LIB405, is now open as well, and is available during library opening hours, but will occasionally be closed for booked classes. Signage will be posted indicating scheduled bookings.

For Instructors and Faculty: Teaching With Archival and Special Collections Material

If you are a teaching a class that might benefit from including primary source material, the quiet study/teaching space can be booked for classes. The archives and special collections staff can work with you to select books, photographs, documents, artifacts or other primary source materials from our collections. More information on our collection can be found on our website, and you can search for material on our online database. For more information, or to book a class, please email the Archives: archives@ryerson.ca or Special Collections: specialcollections@ryerson.ca.

Window into A&SC reading room

At the front desk, Daisy and RISIS are waiting to welcome you.

One of our “new” reading room tables, actually used by in a Ryerson Board Room in the 1970’s.

The reading room research materials are now all handily in one spot.

One of the most exciting changes for A&SC staff is the new mobile shelving for the collections. Not only did it double our storage capacity, it is also totally separate from the reading room and offices.

The A&SC staff encourage you to stop by and visit if you get the chance.

 

CLOSING December 9th – Archives and Special Collections is on the move!

Move time is  almost here and the staff here in Archives and Special Collections could not be more excited.

Please note – Archives and Special Collections will be closing at end of day Friday December 9th, 2016 and re-opening Monday January 16th, 2017.

We ask during this time, if you need to contact the Archives or Special Collections to please use email: archives@ryerson.ca and specialcollections@ryerson.ca as our telephones will be in flux during the move.

See you in the new year in our beautiful new space.

Integrated Pest Management 2.0 in A&SC

Pokémon Go pests infesting your reading room? Who you gonna call? Student intern! Problem: your once peaceful reading room has been overrun with strange colourful pests.

Drowzees were found all over the place, whether it be hiding with our reel collection…

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…or sitting by the Archives entrance waiting for archival research assistance.

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Speaking of sitting, a Jynx was spotted on top of Egerton Ryerson’s desk from when he was Ontario’s Chief Superintendent of Education. It seemed to be enjoying itself hanging out with Egerton Ryerson and our resident Kodak Kolorkin genealogist.

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Egerton Ryerson’s desk (Artifact 162)

A Pidgey was discovered lounging on the architectural model of the Toronto Normal School and St. James Square.

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Toronto Normal School and St. James Square architectural model.

Pokémon seem to really enjoy our architectural models as a Bellsprout was found listening in on a meeting.

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Jorgenson-Learning Resources Complex architectural model (RG 8.17)

A Rattata was seen keeping one of the reading room tables all to itself.

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Even the books from Special Collections were infested with Zubats flying around the shelves.

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However, our biggest problem seems to be in the stacks. In the span of a few minutes a Gastly, a Rattata, and a Spearow had to be caught in order to keep everything in order!

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We’ve resorted to hanging these pheromone traps around the archives and tracking them down…

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…but if anybody can think of a better way to capture and remove these critters, we’d love to hear from you. We’d hate to have to resort to letting these hard workers out of their box…

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Doozer figurines (2012.005.05.07)

…but if we need to, our contingency plan involves setting up intricate sugary lattice traps in the hopes of attracting and capturing these pests.

For now we’re hard at work catching Pokémon when we find them! Or you might say we’re hardly working…